Especial de Valentine's Day: frases cinéfilas del día...

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Want a Blueberry Kiss or an American Pie Kiss?

1
"To love is to suffer. To avoid suffering, one must not love. But, then one suffers from not loving. Therefore, to love is to suffer, not to love is to suffer, to suffer is to suffer. To be happy is to love, to be happy, then, is to suffer, but suffering makes one unhappy, therefore, to be unhappy one must love, or love to suffer, or suffer from too much happiness — I hope you're getting this down."

Love and Death (1975)

2
"Sex without love is an empty experience, but, as empty experiences go, it's one of the best."

Love and Death (1975)

3
"Sex alleviates tension. Love causes it."

A Midsummer Night's Sex Comedy (1982)

4
"Where is this love? I can't see it, I can't touch it. I can't feel it. I can hear it. I can hear some words, but I can't do anything with your easy words."

Closer (2004)

5
"Love is the answer, isn't it? But, sex raises a lot of very interesting questions..."

Kinsey (2004)

6
"The greatest thing you'll ever learn is just to love and be loved in return."

Moulin Rouge! (2001)

7
"People shouldn't experience the act of love until they are in love."

Cruel Intentions (1999)

8
"It seems to me that love is everywhere. Often it's not particularly dignified or newsworthy, but it's always there - fathers and sons, mothers and daughters, husbands and wives, boyfriends, girlfriends, old friends."

Love Actually (2003)

9
"I think they meant it when they said you can't buy love. Now I know you can rent it, a new lease you are my love - on life... be my life."

Rent (2005)

10
"I can make Amour and Psyche for you. Now."

Perfume: The Story of a Murderer (2006)

Frase cinéfila del día...

"Hello, stranger."

CLOSER

The break-up scene between Larry and Anna

"There is, however, a certain illicit thrill in seeing [Julia Roberts] shout obscenities at Clive Owen; the break-up scene between Larry and Anna is a definite highlight."

Hay escenas en el cine que son notables sólo por el lenguaje que utilizan; todo se lo debemos al buen empeño del guionista por mostrarnos diálogos inteligentes, provocadores y realistas. A continuación una escena de Closer (Mike Nichols, 2004) protagonizada por Anna (Julia Roberts) y Larry (Clive Owen), a la cual le pondría el título de 'The Big Bang Theory of Relationships' o 'Reflexión sobre el amor, el desamor y sus efectos colaterales'. Espero sus comentarios...

ANNA: Why are you dressed?
LARRY: Because I think you might be about to leave me, and I didn't want to be wearing a dressing gown.
LARRY: I slept with someone in New York. A whore. I'm sorry.
ANNA: Why did you tell me?
LARRY: I couldn't lie to you.
ANNA: Why not?
LARRY: Because I love you.
ANNA: It's fine.
LARRY: Really? Why? Something's wrong. Tell me. Are you leaving me?

ANNA nods.

LARRY: Because of this? Why?
ANNA: Dan.
LARRY: Cupid? He's our joke.
ANNA: I love him.
LARRY: You're seeing him now?

ANNA nods.

LARRY: Since when?
ANNA: Since my opening last year. I'm disgusting.
LARRY: You're phenomenal. You're so clever. Why did you marry me?
ANNA: I stopped seeing him. I wanted us to work.
LARRY: Why did you tell me you wanted children?
ANNA: Because I did.
LARRY: And now you want children with him?
ANNA: Yes... I don't know.
LARRY: But... we're happy. Aren't we?

She glares at him.

LARRY: You're going to go and live with him?
ANNA: You stay here if you want.
LARRY: Oh, look. I don't give a fuck about the spoils. You know, you did this to me the day we met. You let me hang myself for your amusement. Why didn't you just tell me the second I walked through the door?
ANNA: I was scared.
LARRY: You're a coward, you spoiled bitch. Are you dressed 'cause you thought I might hit you? What do you think I am?
ANNA: I've been hit before.
LARRY: Not by me! Is he a good fuck?
ANNA: Don't do this.
LARRY: Just answer the question. Is he good?
ANNA: Yes.
LARRY: Better than me?
ANNA: Different.
LARRY: Better?
ANNA: Gentler.
LARRY: What does that mean?
ANNA: You know what it means.
LARRY: Tell me.
ANNA: No.
LARRY: I treat you like a whore.
ANNA: Sometimes.
LARRY: Why would that be?
ANNA: I'm sorry you're a...
LARRY: Don't say it. Don't you fucking say "You're too good for me." I am, but don't say it. You're making the mistake of your life. You're leaving me because you believe that you don't deserve happiness, but you do, Anna. Did you have a bath because you had sex with him? So you wouldn't smell of him. So you'd feel less guilty?
LARRY: How do you feel?
ANNA: Guilty.
LARRY: Did you ever love me?
ANNA: Yes.

He starts crying. She embraces him.
LARRY: Did you do it here?
ANNA: No.
LARRY: Why not?
ANNA: Do you wish we did?
LARRY: Just tell me the truth.
ANNA: Yes, we did it here.
LARRY: Where?

ANNA points.

ANNA: There.
LARRY: On this. We had our first fuck on this. Did you think of me? When? When did you do it here? Answer the question!
ANNA: This evening.
LARRY: Did you come?
ANNA: Why are you doing this?
LARRY: 'cause I want to know.
ANNA: Yes, I came.
LARRY: How many times?
ANNA: Twice.
LARRY: How?
ANNA: First he went down on me, and then we fucked.
LARRY: Who was where?
ANNA: I was on top, then he fucked me from behind.
LARRY: And that's when you came the second time.
ANNA: Why is the sex so important?
LARRY: Because I'm a fucking caveman! Did you touch yourself while he fucked you?
ANNA: Yes.
LARRY: You wank for him.
ANNA: Sometimes.
LARRY: And he does.
ANNA: We do everything that people who have sex do!
LARRY: You enjoy sucking him off.
ANNA: Yes!
LARRY: You like his cock.
ANNA: I love his cock!
LARRY: You like him cumming in your face.
ANNA: Yes!
LARRY: What does it taste like?
ANNA: It tastes like you but sweeter!
LARRY: That's the spirit. Thank you. Thank you for your honesty. Now fuck off and die, you fucked up slag.